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"Perception is not something that happens to us, or in us," writes Alva No'. "It is something we do." In Action in Perception, No? argues that perception and perceptual consciousness depend on capacities for action and thought -- that perception is a kind of thoughtful activity. Touch, not vision, should be our model for perception. Perception is not a process in the brain, but a kind of skillful activity of the body as a whole. We enact our perceptual experience.To perceive, according to this enactive approach to perception, is not merely to have sensations; it is to have sensations that we understand. In Action in Perception, No? investigates the forms this understanding can take. He begins by arguing, on both phenomenological and empirical grounds, that the content of perception is not like the content of a picture; the world is not given to consciousness all at once but is gained gradually by active inquiry and exploration. No? then argues that perceptual experience acquires content thanks to our possession and exercise of practical bodily knowledge, and examines, among other topics, the problems posed by spatial content and the experience of color. He considers the perspectival aspect of the representational content of experience and assesses the place of thought and understanding in experience. Finally, he explores the implications of the enactive approach for our understanding of the neuroscience of perception., "Perception is not something that happens to us, or in us," writes Alva Noe. "It is something we do." In "Action in Perception," Noe argues that perception and perceptual consciousness depend on capacities for action and thought -- that perception is a kind of thoughtful activity. Touch, not vision, should be our model for perception. Perception is not a process in the brain, but a kind of skillful activity of the body as a whole. We enact our perceptual experience.To perceive, according to this enactive approach to perception, is not merely to have sensations; it is to have sensations that we understand. In Action in Perception, Noe investigates the forms this understanding can take. He begins by arguing, on both phenomenological and empirical grounds, that the content of perception is not like the content of a picture; the world is not given to consciousness all at once but is gained gradually by active inquiry and exploration. Noe then argues that perceptual experience acquires content thanks to our possession and exercise of practical bodily knowledge, and examines, among other topics, the problems posed by spatial content and the experience of color. He considers the perspectival aspect of the representational content of experience and assesses the place of thought and understanding in experience. Finally, he explores the implications of the enactive approach for our understanding of the neuroscience of perception.", "Perception is not something that happens to us, or in us," writes Alva Noë. "It is something we do." In Action in Perception , Noë argues that perception and perceptual consciousness depend on capacities for action and thought -- that perception is a kind of thoughtful activity. Touch, not vision, should be our model for perception. Perception is not a process in the brain, but a kind of skillful activity of the body as a whole. We enact our perceptual experience. To perceive, according to this enactive approach to perception, is not merely to have sensations; it is to have sensations that we understand. In Action in Perception, Noë investigates the forms this understanding can take. He begins by arguing, on both phenomenological and empirical grounds, that the content of perception is not like the content of a picture; the world is not given to consciousness all at once but is gained gradually by active inquiry and exploration. Noë then argues that perceptual experience acquires content thanks to our possession and exercise of practical bodily knowledge, and examines, among other topics, the problems posed by spatial content and the experience of color. He considers the perspectival aspect of the representational content of experience and assesses the place of thought and understanding in experience. Finally, he explores the implications of the enactive approach for our understanding of the neuroscience of perception., "Perception is not something that happens to us, or in us," writes Alva No�. "It issomething we do." In Action in Perception, No� argues that perception and perceptual consciousnessdepend on capacities for action and thought -- that perception is a kind of thoughtful activity.Touch, not vision, should be our model for perception. Perception is not a process in the brain, buta kind of skillful activity of the body as a whole. We enact our perceptual experience.To perceive,according to this enactive approach to perception, is not merely to have sensations; it is to havesensations that we understand. In Action in Perception, No� investigates the forms thisunderstanding can take. He begins by arguing, on both phenomenological and empirical grounds, thatthe content of perception is not like the content of a picture; the world is not given toconsciousness all at once but is gained gradually by active inquiry and exploration. No� then arguesthat perceptual experience acquires content thanks to our possession and exercise of practicalbodily knowledge, and examines, among other topics, the problems posed by spatial content and theexperience of color. He considers the perspectival aspect of the representational content ofexperience and assesses the place of thought and understanding in experience. Finally, he exploresthe implications of the enactive approach for our understanding of the neuroscience ofperception., Honorable Mention, 2007 Book Prize presented by the American Philosophical Association. "Perception is not something that happens to us, or in us," writes Alva Noe. "It is something we do." In Action in Perception , Noe argues that perception and perceptual consciousness depend on capacities for action and thought-that perception is a kind of thoughtful activity. Touch, not vision, should be our model for perception. Perception is not a process in the brain, but a kind of skillful activity of the body as a whole. We enact our perceptual experience. To perceive, according to this enactive approach to perception, is not merely to have sensations; it is to have sensations that we understand. In Action in Perception , Noe investigates the forms this understanding can take. He begins by arguing, on both phenomenological and empirical grounds, that the content of perception is not like the content of a picture; the world is not given to consciousness all at once but is gained gradually by active inquiry and exploration. Noe then argues that perceptual experience acquires content thanks to our possession and exercise of practical bodily knowledge, and examines, among other topics, the problems posed by spatial content and the experience of color. He considers the perspectival aspect of the representational content of experience and assesses the place of thought and understanding in experience. Finally, he explores the implications of the enactive approach for our understanding of the neuroscience of perception.

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Design and Analysis is organized into six chapters that correspond to these factors: order and composition, functionality, structure, typology, context, and analytical techniques.What you'll learn: -How community-based studios can respond to natural disasters and economic conditions -How to build what you design -How to develop relationships with non-traditional clients -How to structure your career to be dedicated to social change and sustainable design -How to discover funding opportunities for projects in a not-for-profit firm -How to consider moral and financial aspects of your practice -How you can collaborate with other design professions to determine the future of the built environment Featuring detailed case studies, including Studio 804 and Pyotak Architects, and highly illustrated throughout; this book is essential reading for providing you with a viable path to altruistic design., Altruism by Design: How to Effect Social Change as an Architect is meant to prepare the individual designer - whether a student or practicing professional - for a career dedicated to serving communities in need through design and construction.Realized in collaboration with the Museo Casa Mollino, it is extensively illustrated with over 400 sketches, drawings and archival photographs., A new paperback version of�the first monograph on the furniture and interior design of Carlo Mollino, one of the most original Italian designers of the twentieth century.Head over Heels" love letters in which women of all walks of life reflect upon their favorite pair of shoes.It's also a treasure trove of top information about alternatives to chemotherapy and an easy and fascinating read.DIY projects created by some of Azzarito's favorite contemporary designers--including fashion designer Todd Oldham and Hurley art director Timothy Liles--are included with the essays that inspired them.